Free Ebook Barron's MAT: Miller Analogies Test (Barron's: The Leader in Test Preparation)

Free Ebook Barron's MAT: Miller Analogies Test (Barron's: The Leader in Test Preparation)

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Barron's MAT: Miller Analogies Test (Barron's: The Leader in Test Preparation)

Barron's MAT: Miller Analogies Test (Barron's: The Leader in Test Preparation)


Barron's MAT: Miller Analogies Test (Barron's: The Leader in Test Preparation)


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Barron's MAT: Miller Analogies Test (Barron's: The Leader in Test Preparation)

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(back cover) A diagnostic test to help you assess your strengths and weaknesses Ten full-length practice exams with answer keys Advice on solving analogy problems Extensive practice and review in word association problems Brush-up check lists that cover all areas tested on the MAT

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Product details

Series: Barron's: The Leader in Test Preparation

Paperback: 456 pages

Publisher: Barron's Educational Series; 10 edition (September 1, 2009)

Language: English

ISBN-10: 0764142356

ISBN-13: 978-0764142352

Product Dimensions:

8.5 x 1 x 11 inches

Shipping Weight: 1.6 pounds (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

9 customer reviews

Amazon Best Sellers Rank:

#2,263,148 in Books (See Top 100 in Books)

Very Helpful if you're about to take this test. It's going to be harder than you think. My husband took it twice. Used this book before the second time. It helped.

condition is ok but some pages was lost

Wife passed

Barron's MAT: Miller Analogies Test seems to me a Good book, although I have not completed it yet. It came as stated as was. The shipment was delivered on time.

Good quality product. No problems at all with the actual product. Delivery was pretty slow, even when I ordered prime.

I just finished taking the MAT after preparing with this book as my main guide for 2 weeks. This book definitely helped me learn some terms I was not familiar with and brush up on some faint knowledge of certain subject areas. I can say it definitely helped me get at least 4 more questions right than I would have before studying, however, those four points may not make much of a different depending on where your score falls naturally.Unfortunately I was unable to take a paper version of the actual test, and part of me wishes that all study guides came with computerized versions of the test that buyers could take online. The experience of taking the test via computer versus paper feels and behaves quite differently. The practice tests in almost all the study guides I found had a nice readable sized font, but when I took the test on the computer, the font was maybe 8pt high?! It was much smaller than I was used to reading from the practice tests. Also, in the practice tests in this book, all of the regular terms are in full caps, but on the actual computer test, the regular terms only had the first letter capitalized and the question options were only capitalized if they were proper nouns, which was different from the guide. Not that it makes a huge difference, but it does infer additional information about the question options when the capitalization matters.I found the actual test to be MUCH harder than the practice tests- even outside of all the reasons already mentioned. The test did NOT seem to follow the idea that easy questions were first and harder questions were last. I realize people have different knowledge bases, but because I was expecting easy questions up front, I spent more time up front trying to figure out why things seemed more difficult to me and ended up finding much easier questions near the end of the test. In all of the practice tests I had taken in the book, I never, ever, ran out of time- and I always timed myself while taking practice tests. For this reason, I didn't pay as much attention to the clock count-down on the screen as I normally would have until I was over half-way through and realizing that I was much further behind than I needed to be. Ultimately I ran short of time on the actual test and near the end just gave random answers in order to have something scored before time was up. This upset me greatly- because it was not a difficulty that I had anticipated based on finishing the 10 practice tests in this book with an average of 5 minutes remaining each time. The practice tests don't give you an estimate of what your scaled score would be, so it's hard to compare to the results you get from practicing to how you do on the actual test. Since scaled scores and raw scores are not a 1:1 relationship because they are based on the difficulty of the tests, I understand why it's not possible to provide a raw score to percentile or scaled score estimate, but it would be nice if there were some clarity in this department- not just from Barrons, but from ALL study guide sources including Pearson's official MAT site.The vocabulary guides are helpful, but I think the Kaplan version of this study guide may provide better organization for the vocabulary studying. The tips for analyzing analogies in this guide were about equal to that of the MAT guide provided for free online. If I could spend my money differently all over again, I might have spent it on an online practice test from the MAT site and checked out a study guide from the library instead of buying this guide. There are some blatant errors in this book, but they don't affect your scoring or learning if you're paying attention.Overall- I did score better than I would have because some of the questions on the test were directly related to questions in the practice tests, however, I do believe there are better guides and ways of improving your score.

There are some editorial errors in this test prep that need to be addressed. I can't disagree with the other reviewer on that point.I would, however, highly recommend this test prep book. I took the pretest and calculated the percentage of correct answers once I finished. After reading chapters 2, 3, and 5 I took several more practice tests and averaged 13 percentage points higher than the pretest. The helps are invaluable. I needed to score at least a 419 on the real MAT and scored significantly higher than that. I attribute a lot of that success to this prep book and would recommend it to anyone.

This book is filled with errors not minor errors either but significant ones that derail any progress you might have made. In all of the sample tests, there are two sets of answers, one set simply lists the answers and the other set gives a full explanation. Needless to say, the two sets should give the same answer. Well, not so. On one of the tests, the answers given in one set do not match those given in the second set. It just so happens that the first set gives the wrong answers to the questions on the test. On many questions throughout the book, the answer choices are mislabeled so there might be two Cs or two Bs. There is hardly a page that does not have an error of some sort, usually a major error. I have worked through the 9th edition and it does not suffer from these problems. I would, therefore, buy that edition until a newly edited version of the 10th edition comes out.

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Free PDF Milkman: A Novel, by Anna Burns

Free PDF Milkman: A Novel, by Anna Burns

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Milkman: A Novel, by Anna Burns

Milkman: A Novel, by Anna Burns


Milkman: A Novel, by Anna Burns


Free PDF Milkman: A Novel, by Anna Burns

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Milkman: A Novel, by Anna Burns

Amazon.com Review

An Amazon Best Book of December 2018: No one in Milkman, winner of the 2018 Man Booker Prize, has a name. The place isn’t named either, although it appears to be 1970s Belfast, the city where Anna Burns grew up. There are very few paragraphs in this stream-of-consciousness novel that is essentially about borders—the borders we try to maintain between ourselves and others, borders between different families, between cities, between countries, belief systems, even with time itself. The story revolves around “middle sister,” who keeps to herself and only likes to read old books because she’s not particularly a fan of the 20th Century. When a local man with a dangerous reputation, a “paramililtary,” takes an unwelcome interest in her, she is unable to repel him and seems incapable of breaking the chain of gossip and innuendo that surrounds her as a result. The issues in Milkman seem very relevant to today--#MeToo, political Manichaeism, gossip and opinion presented as fact—but this is a modernist novel and should be viewed through that prism first. It won’t be every reader’s cup of tea. It’s a rare vintage from an island that has no name. –Chris Schluep, Amazon Book Review

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“[Milkman] seeth[es] with black humor and adolescent anger at the adult world and its brutal absurdities. . . . For a novel about life under multifarious forms of totalitarian control―political, gendered, sectarian, communal―Milkman can be charmingly wry.”―The New Yorker“Brutally intelligent. . . . At its core, Milkman is [a] wildly good and true novel of how living in fear limits people.”―NPR.org “Milkman vibrates with the anxieties of our own era, from terrorism to sexual harassment to the blinding divisions that make reconciliation feel impossible. . . . It’s as though the intense pressure of this place has compressed the elements of comedy and horror to produce some new alloy.”―The Washington Post“Milkman is a strange animal; it asks a lot, but gives something back, too: the electric jolt of a voice that feels utterly, sensationally new.”―Entertainment Weekly (Grade: A–)“[Burns’] style powerfully evokes the narrator’s sense of emotional entrapment. . . . Milkman makes a passionate claim for freethinking in a place where monochromatic, us-versus-them ideology prevails.”―USA Today “Milkman is a deft and triumphant work of considerable intelligence and importance. . . . It is a deeply feminist work, a compelling and significant look at how the regular life of a young woman is intimately used for personal and political gain. . . . Middle Sister is a force. She is a modern heroine.”―Los Angeles Times “Few works of fiction see as clearly as this one how violence deforms social networks, enhancing, people’s worst instincts. . . . This book is also bursting with energy, with tiny apertures of kindness, and a youthful kind of joy. . . . To plunge headlong into this voice now feels like a necessary reminder that one of the most complex and difficult emotions to put in a novel of darkness is joy. On that, too, perhaps especially so, Milkman is a triumph of resistance.”―The Boston Globe“Milkman is a richly complex portrayal of a besieged community and its traumatized citizens, of lives lived within many concentric circles of oppression. . . . Among Burns’ singular strengths as a writer is her ability to address the topics of trauma and tyranny with a playfulness that somehow never diminishes the sense of her absolute seriousness. . . . There is a pulsating menace at the heart of the book, of which the title character is an uncannily indeterminate avatar, but also a deep sadness at the human cost of conflict. . . . For all the darkness of the world it illuminates, Milkman is as strange and variegated and brilliant as a northern sunset. You just have to turn your face toward it, and give it your full attention.”―Slate “This is a powerful, funny and sometimes immensely beautiful novel, with a female lead whose life is a low-key renunciation of the violence that shook her city for a generation.”―Star Tribune (Minneapolis)“At once intimate and universal, historical and fabulistic and timely, unconventional and almost sentimentally hopeful.”―Vulture “Milkman is an explosive novel, very much of history but not limited by the names, dates, and places of the official record. It’s a more intimate work than that, and an outstanding contribution to the growing canon of nameless girl heroes.”―The New Republic “This coming-of-age tale is original, timely, and ultimately rewarding.”―PopMatters “Milkman vibrates. It is energized with a perspective that immerses the reader in a setting that commands attention.”―Washington Independent Review of Books“[Milkman] has unmistakable force and charisma.”―WBUR “The ARTery” “Timely and provocative; not to miss.”―Orange County Register “Imaginative, feminist, and genre-defying. . . . Burns has conjured an extraordinary world.”―The National Book Review “With an immense rush of dazzling language, Burns submerges readers beneath the tensions of life in a police state. . . . A deeply stirring, unforgettable novel that feels like a once-in-a-generation event.”―Kirkus Reviews, starred review“Acute, chilling, and often wry. . . . The narrator of this claustrophobic yet strangely buoyant tale undergoes an unsentimental education in sexual politics. This is an unforgettable novel.”―Publishers Weekly, starred review “Milkman is a uniquely meandering and mesmerizing, wonderful and enigmatic work about borders and barriers, both physical and spiritual, and the cost of survival.”―Booklist, starred review“Using stream of consciousness and few if any personal names, Burns creates a musical and lyrical tour de force.”―Library Journal, starred review “Eccentric and oddly beguiling. . . . What makes it memorable is the funny, alienated, common-sensical voice of middle sister, who refuses to join in the madness.”―The Sunday Times (UK)“Milkman is delivered in a breathless, hectic, glorious torrent. . . . It’s an astute, exquisite account of Northern Ireland’s social landscape. . . . A potent and urgent book, with more than a hint of barely contained fury.”―Irish Independent“I haven’t stopped talking about Anna Burns’s astonishing Milkman. The voice is dazzling, funny, acute. . . . Like all great writing it invents its own context, becomes its own universe.”―Eoin McNamee, The Irish Times“From the opening page her words pull us into the daily violence of her world―threats of murder, people killed by state hit squads―while responding to the everyday realities of her life as a young woman.”―Kwame Anthony Appiah, chair of Man Booker Prize judging panel

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Product details

Paperback: 360 pages

Publisher: Graywolf Press; Reprint edition (December 4, 2018)

Language: English

ISBN-10: 1644450003

ISBN-13: 978-1644450000

Product Dimensions:

5.4 x 1.1 x 8.3 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

3.5 out of 5 stars

190 customer reviews

Amazon Best Sellers Rank:

#1,878 in Books (See Top 100 in Books)

I know everyone has their own literary tastes, but I cannot fathom how anyone can like this book. It's a seemingly endless incoherent stream of consciousness written in a presumably imagined vernacular. I actually had to read about the book to figure out that it may or may not be about Belfast during the 70s (There! Saved you $10 and a few hours).The book's plot is almost non-existent. The character development equals that found in mid-term papers from 7th grade creative writing classes. The narrative is vague and non-sensical to the point of giving you anxiety.Every now and then the Man Booker judges miss the mark. Man Booker winners share common surrealistic themes, with winners being unique and bleeding edge...something that hasn't been done before. Sometimes the judges choose art over literature, discounting the literary deficiencies for the artistic vision and creativity. In this case, the judges selected an art installation. Literary garbage. But unique...a writing style that has never been tried before. The problem is, there is a reason it has never been tried. Because it doesn't work. It is miserable and nauseating to read and should have never been published.I would rate this zero starts if I had the option.

I am in the minority it seems. I struggled to enjoy this book. The author's writing style was extraordinarily difficult for me. None of the characters were named. They were referred to as "middle sister", "Somebody McSomething", "maybe boyfriend", "third brother -in-law", etc., was tedious and maddening. The writing style of this book was distracting. Long, dense paragraphs that were hard to follow. I gave up after 100 grueling pages.Once again, a Booker Prize winner has been unreadable for me. When will I learn?

Fascinating funny....so well written, with inner thoughts I never brought to consciousness. I was a social worker in Belfast during this time. It all feels so real.

All a novel should be and the best I can recall reading in years upon years. I will be gobsmacked if this does not win the Booker Prize. I am astounded that there are so few reviews and that they are, on balance, quite poor. There is so much going on at so many levels in this story, all masterfully executed. One thought for those unaccustomed to the dialect who may find the language a bit of an obstacle - consider the audiobook. For me the language is the central joy of this novel, but there’s SO much more beyond that to think about here: history, politics, social psychology and pathology, interpersonal dynamics, gender roles, and more.ETA: this exquisite novel did indeed win the Booker prize, and all is right with my world - thank you, Ms. Burns!

Perhaps it’s not right to invent a title for a review that concatenates the title and author of the book under consideration but in this case it seems so appropriate. This novel so well written, so lyrically Irish, such dark humour hurt me, burnt me. I’ve not read anything else that so successfully conveys what it must have been like to live through The Troubles of Northern Ireland and the impact this had on the minds of the people who felt they had no choice but to endure and survive those times as best they could.We are told the active voice of the principal character, nameless Middle Sister, a girl of 18 , of events unfolding around and over her, covering a period of just a few months. Through rambling sentences spiced with recall and speculation a current and historical profile of unnamed neighbourhoods (I guess Belfast) emerge populated by lithe, criminally inclined, politically bloated, blighted as well as delightful inhabitants.Burn’s skilfully conveys the agony of living in a repressive society beset with tribal loyalties and fear. I had to force myself to keep reading Burn’s intimately affective, ‘fictional’ account and accept the shadowy presence of clumsy British occupying soldiers and violent IRA patriots.Middle Sister is stalked by a powerful figure in the resistance: Milkman. He is married, in his thirties, a looming criminal. The threat of his presence alone in the absence of touch is nevertheless too close, visceral, overwhelming. She is incredibly brave. She feels she must protect her bisexual Sometime Boyfriend, watch out for more than poisoned words,defend herself from the unsympathetic narrative of her best Old Friend, ignore the constant harassment of her mother, First Older Sister and others.She must deal with the attention of a rejected suitor Somebody McSomebody, a young, pathetic pistol packing neighbour who attacks her in the loo.Perhaps most terrifying of all, our narrator, Middle Sister is caught in a culture of hostile gossip whose actors compulsively invent false stories about her, disarm and imprison her in a silo of alienated silence. We wait with growing impatience under salvos of words for something to break her entrapment.Burn’s conveys the tension between Middle Sister and those closest to her and the events that surround her in a simultaneously frightening, funny and entirely convincing way. We forget the inherent contradiction between who the truly articulate Middle Sister is who is writing the text and the girl who cannot ask for help from those in a position most likely to provide it is the same person.The Middle Sister who wrote this novel may not be the author but the author knows her so well I feel it is her alter ego talking to her younger self. Burn’s describes the prison of what seems to be her own internment. There is no need for her to explain why her eminently capable narrator is incapable of helping herself.The profound message intended or not is the way this wonderful story captures a time and place, a state of mind, what is was to be living inNorthern Ireland during The Troubles. In such a milieu, such a volatile and dangerous space it is best to fain ignorance, avoid extending to much trust in others, sensible to remain silent.There is nothing as boring as didactic intent in Burn’s wonderful novel but the lessons are there. What of current day tribalism and where it could take us? Why so many closed narcissistic minds? Why the unwillingness to listen to and respect other people’s point of view? How come we never learn?Yes, it’s complicated. Let me make it even more so. Oscar Wilde writing of a much earlier phase of The Troubles wrote something like this “if only the English would learn to talk and the Irish to listen we would have a very civilised society”

I had a hard time getting into this book at first, so I tried an experiment of ordering the whispernet addition. The audible addition to this book enhanced my engagement with the book ... I think because the Irish dialect and excellence of the reader helped me focus. I don't understand why this worked in my brain, but so it was. Then I was able to capture the humor and the pathos of this period of time. Structure of the book is intriguing.

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Product details

File Size: 2153 KB

Print Length: 216 pages

Publisher: McFarland; 1 edition (April 9, 2010)

Publication Date: April 9, 2010

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B004A16HQG

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Amazon Best Sellers Rank:

#954,285 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

In this book, the author shares her research and experiences with role playing games and explores how such games can be used to explore different identities. I found this to be an intriguing exploration of role-playing games and how people use them to explore their identities as well as how they are used by society in general for problem solving. The author does an excellent job of showing the breadth of role-playing games, and the various uses they are put to. This is an excellent book to read to understand identity alteration and how the assumption of different roles allows people to explore who they are in relationship to the characters they create and become. The author also provides some useful insights via Jungian theory on archetypes and identity that can be helpful for understanding the psychology of role playing games.

(Full disclosure: The author is a friend of mine, we discuss subjects from the contents of this book so I thought I'd give it a read to catch up on her theories and have more enlightened discussions)This book is an excellent, well thought out dive into the minds behind roleplaying games.It does a great job of explaining the background of the subject to bring uninitiated readers up to speed. I'm not a huge reader of non-fiction, and especially not something this in-depth into something I am a huge participant in (I've been roleplaying nearly my entire life). But I never found this book boring or too dry for my liking.I came away with a much better understanding of the different things that attract different types of people to roleplaying, rather than just understanding my own stance. And as something of a hobbyist roleplaying scholar, I believe this book is a great addition to my references.

This book is easy to read and understand. Sarah gets her point across in each chapter by introducing what she is about to talk about and then ends with a nice short summary on what she just wrote about. Role Playing is something i am not to entirely interested, in the physical realm, but she does touch base on the internet world and how MMO's have made a great impact on our culture.

Easy-to-read study on role-playing games. Contains useful theoretical content, in a manner that is digestible and considered. Pleasantly laid out, and relatable.

Bowman's work is a mixed bag for me. I applaud her exploration of the meaning that RPG players get out of creating and enacting their characters, and the final chapter presents some interesting ideas about how players create characters and the relationships between players and characters. However, her view of role-playing as a gaming experience is very psychoanalytic and is full of Freudian concepts that have received mixed (at best) empirical support generally. I don't think we need to talk about defense mechanisms or Dissociative Identity Disorder to gain insight about the gameplay experiences of these players. My other primary criticism is that her sample is not representative of the wider population of RPG players. Most are young (all but 2 out of 19 are 30 or younger) and primarily playing White Wolf RPGs and I think this colors the conclusions she draws about how immersed the players get in their characters. I don't have a problem with this per se, as any one investigation will not capture all aspects of a phenomenon. But her theories and ideas are not likely to hold up to the experiences of those who play in other RPG systems or other demographics.

Some interesting notions but could be seen as outdated.

Used for intro to computer mediated communication. Lots of good insight into why role-playing is an enjoyable pastime for some.

The Functions of Role-Playing Games is an expanded public version of the author's PhD thesis, and that definitely shows in the wealth of references and the scope of the work. Practically all of the central themes of current-day role-playing research are there, in one form or another: Character-player relationships, educational games (including simulations), historical connections, definition, role-playing as a kind of ritual, and skill development via play.This means two things. One, that this is a great place to start on role-playing research, and should actually be mandatory reading for any beginning role-playing scholar. Two, due to the limited space and lack of certain references, the author never dips really deeply into any of the subjects. This is the book's key advantage and disadvantage. On one hand, it's a great base to build upon, leaving space for further research without blocking anything, and a real eye-opener on just how much "role-playing" actually encompasses. On the other hand, with certain resources more (such as Henriksen, Morton and Montola) to draw upon, it would have been way more impressive.Dr. Bowman has nevertheless definitely written a key reference for the future, possibly the next "Fine" all of us will have to cite from now on. That is highly applaudable. Certain parts of it I found somewhat boring, but I presume that was mostly because I personally did not need those things (e.g. the systems of D&D or Vampire) explained to such great detail, not because of any fault of the author. She does generalize a lot based on her small group of interviewees, but is always careful to report that she is dealing with probabilities or is making assumptions that may be one-sided. The author's assessment of reliabilities regarding her findings seems very, very solid. Her approach to defining role-playing communities seems a bit alien to a Nordic game researcher, given differences in play culture, but that too is just fruitful grounds for further research.All in all, this is a necessary, broadly based and well-written addition to role-playing research. It's basically a must-read for any scholar in the field, especially those pondering where to start or whether something within it has already been studied to some extent. It nevertheless gets just four stars from me, because I can see how by taking into account a dozen extra references it could have been magnificent instead of just really great.

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