Free PDF Milkman: A Novel, by Anna Burns

Free PDF Milkman: A Novel, by Anna Burns

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Milkman: A Novel, by Anna Burns

Free PDF Milkman: A Novel, by Anna Burns

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Amazon.com Review

An Amazon Best Book of December 2018: No one in Milkman, winner of the 2018 Man Booker Prize, has a name. The place isn’t named either, although it appears to be 1970s Belfast, the city where Anna Burns grew up. There are very few paragraphs in this stream-of-consciousness novel that is essentially about borders—the borders we try to maintain between ourselves and others, borders between different families, between cities, between countries, belief systems, even with time itself. The story revolves around “middle sister,” who keeps to herself and only likes to read old books because she’s not particularly a fan of the 20th Century. When a local man with a dangerous reputation, a “paramililtary,” takes an unwelcome interest in her, she is unable to repel him and seems incapable of breaking the chain of gossip and innuendo that surrounds her as a result. The issues in Milkman seem very relevant to today--#MeToo, political Manichaeism, gossip and opinion presented as fact—but this is a modernist novel and should be viewed through that prism first. It won’t be every reader’s cup of tea. It’s a rare vintage from an island that has no name. –Chris Schluep, Amazon Book Review

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Review

“[Milkman] seeth[es] with black humor and adolescent anger at the adult world and its brutal absurdities. . . . For a novel about life under multifarious forms of totalitarian control―political, gendered, sectarian, communal―Milkman can be charmingly wry.”―The New Yorker“Brutally intelligent. . . . At its core, Milkman is [a] wildly good and true novel of how living in fear limits people.”―NPR.org “Milkman vibrates with the anxieties of our own era, from terrorism to sexual harassment to the blinding divisions that make reconciliation feel impossible. . . . It’s as though the intense pressure of this place has compressed the elements of comedy and horror to produce some new alloy.”―The Washington Post“Milkman is a strange animal; it asks a lot, but gives something back, too: the electric jolt of a voice that feels utterly, sensationally new.”―Entertainment Weekly (Grade: A–)“[Burns’] style powerfully evokes the narrator’s sense of emotional entrapment. . . . Milkman makes a passionate claim for freethinking in a place where monochromatic, us-versus-them ideology prevails.”―USA Today “Milkman is a deft and triumphant work of considerable intelligence and importance. . . . It is a deeply feminist work, a compelling and significant look at how the regular life of a young woman is intimately used for personal and political gain. . . . Middle Sister is a force. She is a modern heroine.”―Los Angeles Times “Few works of fiction see as clearly as this one how violence deforms social networks, enhancing, people’s worst instincts. . . . This book is also bursting with energy, with tiny apertures of kindness, and a youthful kind of joy. . . . To plunge headlong into this voice now feels like a necessary reminder that one of the most complex and difficult emotions to put in a novel of darkness is joy. On that, too, perhaps especially so, Milkman is a triumph of resistance.”―The Boston Globe“Milkman is a richly complex portrayal of a besieged community and its traumatized citizens, of lives lived within many concentric circles of oppression. . . . Among Burns’ singular strengths as a writer is her ability to address the topics of trauma and tyranny with a playfulness that somehow never diminishes the sense of her absolute seriousness. . . . There is a pulsating menace at the heart of the book, of which the title character is an uncannily indeterminate avatar, but also a deep sadness at the human cost of conflict. . . . For all the darkness of the world it illuminates, Milkman is as strange and variegated and brilliant as a northern sunset. You just have to turn your face toward it, and give it your full attention.”―Slate “This is a powerful, funny and sometimes immensely beautiful novel, with a female lead whose life is a low-key renunciation of the violence that shook her city for a generation.”―Star Tribune (Minneapolis)“At once intimate and universal, historical and fabulistic and timely, unconventional and almost sentimentally hopeful.”―Vulture “Milkman is an explosive novel, very much of history but not limited by the names, dates, and places of the official record. It’s a more intimate work than that, and an outstanding contribution to the growing canon of nameless girl heroes.”―The New Republic “This coming-of-age tale is original, timely, and ultimately rewarding.”―PopMatters “Milkman vibrates. It is energized with a perspective that immerses the reader in a setting that commands attention.”―Washington Independent Review of Books“[Milkman] has unmistakable force and charisma.”―WBUR “The ARTery” “Timely and provocative; not to miss.”―Orange County Register “Imaginative, feminist, and genre-defying. . . . Burns has conjured an extraordinary world.”―The National Book Review “With an immense rush of dazzling language, Burns submerges readers beneath the tensions of life in a police state. . . . A deeply stirring, unforgettable novel that feels like a once-in-a-generation event.”―Kirkus Reviews, starred review“Acute, chilling, and often wry. . . . The narrator of this claustrophobic yet strangely buoyant tale undergoes an unsentimental education in sexual politics. This is an unforgettable novel.”―Publishers Weekly, starred review “Milkman is a uniquely meandering and mesmerizing, wonderful and enigmatic work about borders and barriers, both physical and spiritual, and the cost of survival.”―Booklist, starred review“Using stream of consciousness and few if any personal names, Burns creates a musical and lyrical tour de force.”―Library Journal, starred review “Eccentric and oddly beguiling. . . . What makes it memorable is the funny, alienated, common-sensical voice of middle sister, who refuses to join in the madness.”―The Sunday Times (UK)“Milkman is delivered in a breathless, hectic, glorious torrent. . . . It’s an astute, exquisite account of Northern Ireland’s social landscape. . . . A potent and urgent book, with more than a hint of barely contained fury.”―Irish Independent“I haven’t stopped talking about Anna Burns’s astonishing Milkman. The voice is dazzling, funny, acute. . . . Like all great writing it invents its own context, becomes its own universe.”―Eoin McNamee, The Irish Times“From the opening page her words pull us into the daily violence of her world―threats of murder, people killed by state hit squads―while responding to the everyday realities of her life as a young woman.”―Kwame Anthony Appiah, chair of Man Booker Prize judging panel

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Product details

Paperback: 360 pages

Publisher: Graywolf Press; Reprint edition (December 4, 2018)

Language: English

ISBN-10: 1644450003

ISBN-13: 978-1644450000

Product Dimensions:

5.4 x 1.1 x 8.3 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

3.5 out of 5 stars

190 customer reviews

Amazon Best Sellers Rank:

#1,878 in Books (See Top 100 in Books)

I know everyone has their own literary tastes, but I cannot fathom how anyone can like this book. It's a seemingly endless incoherent stream of consciousness written in a presumably imagined vernacular. I actually had to read about the book to figure out that it may or may not be about Belfast during the 70s (There! Saved you $10 and a few hours).The book's plot is almost non-existent. The character development equals that found in mid-term papers from 7th grade creative writing classes. The narrative is vague and non-sensical to the point of giving you anxiety.Every now and then the Man Booker judges miss the mark. Man Booker winners share common surrealistic themes, with winners being unique and bleeding edge...something that hasn't been done before. Sometimes the judges choose art over literature, discounting the literary deficiencies for the artistic vision and creativity. In this case, the judges selected an art installation. Literary garbage. But unique...a writing style that has never been tried before. The problem is, there is a reason it has never been tried. Because it doesn't work. It is miserable and nauseating to read and should have never been published.I would rate this zero starts if I had the option.

I am in the minority it seems. I struggled to enjoy this book. The author's writing style was extraordinarily difficult for me. None of the characters were named. They were referred to as "middle sister", "Somebody McSomething", "maybe boyfriend", "third brother -in-law", etc., was tedious and maddening. The writing style of this book was distracting. Long, dense paragraphs that were hard to follow. I gave up after 100 grueling pages.Once again, a Booker Prize winner has been unreadable for me. When will I learn?

Fascinating funny....so well written, with inner thoughts I never brought to consciousness. I was a social worker in Belfast during this time. It all feels so real.

All a novel should be and the best I can recall reading in years upon years. I will be gobsmacked if this does not win the Booker Prize. I am astounded that there are so few reviews and that they are, on balance, quite poor. There is so much going on at so many levels in this story, all masterfully executed. One thought for those unaccustomed to the dialect who may find the language a bit of an obstacle - consider the audiobook. For me the language is the central joy of this novel, but there’s SO much more beyond that to think about here: history, politics, social psychology and pathology, interpersonal dynamics, gender roles, and more.ETA: this exquisite novel did indeed win the Booker prize, and all is right with my world - thank you, Ms. Burns!

Perhaps it’s not right to invent a title for a review that concatenates the title and author of the book under consideration but in this case it seems so appropriate. This novel so well written, so lyrically Irish, such dark humour hurt me, burnt me. I’ve not read anything else that so successfully conveys what it must have been like to live through The Troubles of Northern Ireland and the impact this had on the minds of the people who felt they had no choice but to endure and survive those times as best they could.We are told the active voice of the principal character, nameless Middle Sister, a girl of 18 , of events unfolding around and over her, covering a period of just a few months. Through rambling sentences spiced with recall and speculation a current and historical profile of unnamed neighbourhoods (I guess Belfast) emerge populated by lithe, criminally inclined, politically bloated, blighted as well as delightful inhabitants.Burn’s skilfully conveys the agony of living in a repressive society beset with tribal loyalties and fear. I had to force myself to keep reading Burn’s intimately affective, ‘fictional’ account and accept the shadowy presence of clumsy British occupying soldiers and violent IRA patriots.Middle Sister is stalked by a powerful figure in the resistance: Milkman. He is married, in his thirties, a looming criminal. The threat of his presence alone in the absence of touch is nevertheless too close, visceral, overwhelming. She is incredibly brave. She feels she must protect her bisexual Sometime Boyfriend, watch out for more than poisoned words,defend herself from the unsympathetic narrative of her best Old Friend, ignore the constant harassment of her mother, First Older Sister and others.She must deal with the attention of a rejected suitor Somebody McSomebody, a young, pathetic pistol packing neighbour who attacks her in the loo.Perhaps most terrifying of all, our narrator, Middle Sister is caught in a culture of hostile gossip whose actors compulsively invent false stories about her, disarm and imprison her in a silo of alienated silence. We wait with growing impatience under salvos of words for something to break her entrapment.Burn’s conveys the tension between Middle Sister and those closest to her and the events that surround her in a simultaneously frightening, funny and entirely convincing way. We forget the inherent contradiction between who the truly articulate Middle Sister is who is writing the text and the girl who cannot ask for help from those in a position most likely to provide it is the same person.The Middle Sister who wrote this novel may not be the author but the author knows her so well I feel it is her alter ego talking to her younger self. Burn’s describes the prison of what seems to be her own internment. There is no need for her to explain why her eminently capable narrator is incapable of helping herself.The profound message intended or not is the way this wonderful story captures a time and place, a state of mind, what is was to be living inNorthern Ireland during The Troubles. In such a milieu, such a volatile and dangerous space it is best to fain ignorance, avoid extending to much trust in others, sensible to remain silent.There is nothing as boring as didactic intent in Burn’s wonderful novel but the lessons are there. What of current day tribalism and where it could take us? Why so many closed narcissistic minds? Why the unwillingness to listen to and respect other people’s point of view? How come we never learn?Yes, it’s complicated. Let me make it even more so. Oscar Wilde writing of a much earlier phase of The Troubles wrote something like this “if only the English would learn to talk and the Irish to listen we would have a very civilised society”

I had a hard time getting into this book at first, so I tried an experiment of ordering the whispernet addition. The audible addition to this book enhanced my engagement with the book ... I think because the Irish dialect and excellence of the reader helped me focus. I don't understand why this worked in my brain, but so it was. Then I was able to capture the humor and the pathos of this period of time. Structure of the book is intriguing.

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